Production Design

Dior Man by Vladimir Markovich

Here is  story in which the black-and-white images segue into each other in a shimmering, powdery, grain-filtered gray, where the camera captures the headlong rush of two soul mates living out a modern love in the throes of youth. Directed by Romain Gavras

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Attracting and electrifying each other, they write their carefree, tumultuous love story, living for the moment, seeking out sensations, diving fully-dressed into a swimming pool, shocking the public at a straight-laced ball. Their tale is unique but nonetheless universal and timeless. Whether on a deserted beach or the rooftops of New York, whatever the destination, the Dior man relishes the pleasures of whichever life he's chosen for himself - a life of a thousand possibilities.

He's in perpetual motion, running towards freedom, navigating the tightrope of an ever-changing life. The Dior man is fearless, embracing the unknown, playing with his own destiny. He has no regrets, his life is unapologetically his own, and he fits a thousand lives into his single one. Magnetic, sensual and provocative 

The Look Of Grand Budapest Hotel by Vladimir Markovich

Wes Anderson's THE GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. Starring Ralph Fiennes, F.

Any film that reaches a wide audience is the end result of countless choices by a broad range of players. Check in with Adam Stockhausen, production designer on The Grand Budapest Hotel who also worked with director Wes Anderson on Moonrise Kingdom and The Darjeeling Limited.

Here are the critical creative decisions made during the making of a film, and how they helped shape the eventual end product.